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The Metamorphosis (Xist Classics), by Franz Kafka
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Gregor awakens one morning and has been transformed into a monsterous, instect-like creature. The Metamorphosis by Franz Kafka is one of the strangest pieces of 20th century literature and required reading in many high school and college English courses.
This Xist Classics edition has been professionally formatted for e-readers with a linked table of contents. This ebook also contains a bonus book club leadership guide and discussion questions. We hope you’ll share this book with your friends, neighbors and colleagues and can’t wait to hear what you have to say about it.
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- Sales Rank: #314390 in eBooks
- Published on: 2015-01-27
- Released on: 2015-01-27
- Format: Kindle eBook
From Publishers Weekly
Kuper has adapted short works by Kafka into comics before, but here he tackles the most famous one of all: the jet-black comedy that ensues after the luckless Gregor Samsa turns into a gigantic bug. The story loses a bit in translation (and the typeset text looks awkward in the context of Kuper's distinctly handmade drawings). A lot of the humor in the original comes from the way Kafka plays the story's absurdities absolutely deadpan, and the visuals oversell the joke, especially since Kuper draws all the human characters as broad caricatures. Even so, he works up a suitably creepy frisson, mostly thanks to his drawing style. Executed on scratchboard, it's a jittery, woodcut-inspired mass of sharp angles that owes a debt to both Frans Masereel (a Belgian woodcut artist who worked around Kafka's time) and MAD magazine's Will Elder. The knotty walls and floors of the Samsas' house look like they're about to dissolve into dust. In the book's best moments, Kuper lets his unerring design sense and command of visual shorthand carry the story. The jagged forms on the huge insect's belly are mirrored by folds in business clothes; thinking about the debt his parents owe his employer, Gregor imagines his insectoid body turning into money slipping through an hourglass. Every thing and person in this Metamorphosis seems silhouetted and carved, an effect that meshes neatly with Kafka's sense of nightmarish unreality.
Copyright 2003 Reed Business Information, Inc.
From School Library Journal
Adult/High School-Gregor Samsa wakes up and discovers he has been changed into a giant cockroach. Thus begins "The Metamorphosis," and Kuper translates this story masterfully with his scratchboard illustrations. The text is more spare, but the visuals are so strongly rendered that little of the original is changed or omitted. Though the story remains set in Kafka's time, Kuper has added some present-day touches, such as fast-food restaurants, that do not detract from the tale. He has used the medium creatively, employing unusual perspectives and panel shapes, and text that even crawls on the walls and ceilings, as Gregor does. The roach has an insect body but human facial expressions. Once he is pelted with the apple, readers can watch his rapid decline, as his body becomes more wizened and his face more gaunt. This is a faithful rendition rather than an illustrated abridgment.
Jamie Watson, Enoch Pratt Free Library, Baltimore
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
Kuper follows his adaptations of shorter Kafka stories (Give It Up!, 1995) with one of the author's most renowned works, the tale of Gregor Samsa, who wakes one morning to find himself transformed into a giant insect. Gregor's plight, his growing alienation from his horrified family, and his gradual acceptance of the metamorphosis have come to be viewed as the quintessential symbolic depiction of modern existence. Against all expectations, Kuper's cartoonish style doesn't throw off the story's balance by accentuating Kafka's black humor. Rather, Kuper's visual depiction of Gregor's agony and the family's cruelty toward him points up what is disturbing in the tale, and the portrayal of Gregor's physical deterioration is truly harrowing. Moreover, Kuper's signature scratchboard technique, which resembles traditional woodcut style, suits the story's period, while his lively, expressive drawing lends contemporary vitality. Remaining faithful to its literary origin, Kuper thoroughly inhabits the tale, making his realization a genuine work of posthumous collaboration. The result is a Classics Illustrated with class. Gordon Flagg
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
122 of 129 people found the following review helpful.
Engrossing and disturbing at the same time - fantastic.
By M. Strong
It's fascinating to see the divergent reviews that this book generates; for my part, I couldn't put it down. The book creates a world and atmosphere in which you become completely engrossed - it is a disturbing place to be.
The story follows Joseph K while he is on trial by a seemingly arbitrary court system. What starts out feeling like a cautionary tale about misplaced and abused power quickly gets stranger and morphs into a story of a deeper and more personal trial. Before long, you notice that K is the one who seems to be doing the work of trying himself.
I was left thinking for a long time about the meaning behind the story and a lot of its symbols and components - I don't consider the fact that I still had questions to be a bad thing. On the contrary, this one left me feeling strangely energized.
Highly recommended for people who like philosophy, examinations of the human condition, or existentialism.
62 of 66 people found the following review helpful.
Disorder In The Court
By Alex Udvary
We should all know the story concerning one of the greatest novels ever written, about a man being awaken to find out he is under arrest for a crime he knows nothing about, and charged by an unknown person.
It's been debated as to what is really Kafka's novel all about. Some say, it's "hero"(?) Joseph K. represents the "every man". Who has been forced to live in a world, where's man's biggest sin is being himself. The character K. like Kafka himself feels they are an outsider in a world they cannot function in. Others still, see the book as merely a semi-autobiography as Kafka's own feelings of worthlessness. We all know Kafka even doubted his own talents as a writer. But, yet again, others think that "K." is not the "every man". That he is guilty of his "sins".
So, what does all of this prove? It simply goes to show you the impact Franz Kafka has left on the world. Here we have a book published in 1925 and still causes debate as to what exactly were Kafka's intentions. If, infact, he didn't have any intentions!
'The Trial', to me is a story of a man's loneliness. It's a story of man who probably is guilty of what he is charged with. And we slowly read about his desent into a world of paranoia. I've heard some people agrue that what happens to "K." is all merely a dream. None of it ever really happened, but, it was "K." himself who brought this punishment on himself. Sort of like how Kafka himself did by never marrying the girl he loved, by living in the shadows of his father, who he adored, and never having an self confidence. If what happens in 'The Trial' is a dream, you can bet "K." learned something.
There's something about Kafka that fasincates me. He is one of my favorite authors. I find Kafka himself to be just as interesting has the stories he wrote. People tend to forget or overlook something in Kafka's writing. He WAS funny. His novels all have moments that are truly inspired. One of my favorite chapters in this book deals with "The Painter". What happens has "K." trys to leave and the Painter stops him asking him if he wants to buy a painting had me laughing.
For those of you who have never read this book, I do completely recommend it. You will find the book to be fascinating. Kafka was a master of thinking up these surreal stories. You may be bothered by the book's conclusion. Not that you'll mind the final act against "K." but, you'll be bothered by the way it happens. You would have expected more of a set-up. I know I did. Others who read the book may feel the book is incomplete. And that may lead them to dislike it. You are right in your judgement that the book is incomplete, but, remember, Kafka never wanted any of his books published. There's actually a chapter in here that was never finished. And, even though it is incomplete that didn't stop me from truly enjoying this masterpiece. If you have never read anything by Kafka, this is a fine place to start. I hope everyone finds 'The Trial' to be as enjoyable as I did.
Bottom-line: One of the great works by Kafka. It touches on themes that were ahead of their time. Themes that are still around us today. An excellent example of the paranoid mind. Everyone should read this!
136 of 154 people found the following review helpful.
Are we all Gregor Sassma? Maybe, Franz, maybe...
By Jeffrey Ellis
For all the debate and argument over what this story means, the plot of the Metamorphosis is refreshingly simple. Gregor Sassma wakes up one morning and discovers that, over the course of the night, he's been transformed into a giant insect. The rest of this novella deals with Gregor's attempts to adjust to his new condition without providing a burden for his parents (who he has spent his life supporting and, it is made clear, veiw their son as little more than a commodity to be exploited) or for his sweet younger sister who Gregor views with an almost heart breaking affection. For his efforts to not bother society with his new insect identity, Gregor is both shunned and eventually destroyed by that same society, which of course now has little use for him. As dark as that plot outline may sound, what is often forgotten (or simply ignored) is that the Metamorphosis is -- in many ways -- a comic masterpiece. Instead of engaging in a lot of portentous philosophizing, Kafka tells his bizarre tell in the most deadpan of fashions. Ignoring the temptation to come up with any mystical or scientific explanations, Kafka simply shows us that Gregor has become an insect and explains how the rest of his short life is lived. This detached, amused tone makes the story's brutal conclusion all the more powerful.
As well, for all the theories on what Kafka's "saying" with this story, the reasons behind Gregor's transformation are not all that complicated or hard to figure out. Kafka, as opposed to too many other writers since, declines to spell out the specific reasons but still makes it clear that Gregor (and by extension, all the other Gregors in the world) had allowed himself to become a powerless insect long before actually physically turning into one. As someone who as selflessly sacrificed whatever independence he may have had to support his uncaring parents and their attempts to live an "upper class" life without actually having to suffer for it, Gregor has already willingly given up all the unique traits that make one a human. For me, even more disturbing than Gregor's fate, is Kafka's concluding suggestions that, now that Gregor has outlived his usefulness, his parents will now move on to his innocent sister. In short, despite the example of Gregor's own terrible fate, society will continue on its way with the majority of us giving up our own humanity to support the whims of a select few.
From the brilliant opening lines all the way to its hauntingly deadpan conclusion, The Metamorphosis is a powerful and satirical indictment of the bourgeois condition. Over the past few decades, the term Kafkaesque has been tossed around with a dangerous lack of discretion. It seems any writer who creates an absurd or dark trap for his main character ends up being labeled Kafkaesque. However, as this story especially makes clear, Franz Kafka was more than just an adjective. He was a unique and individual writer whose brilliance cannot be easily duplicated.
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